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Robin E. Snyder
Senior Member
Username: robin

Post Number: 534
Registered: 08-2004
Posted on Tuesday, April 29, 2014 - 12:30 pm:   Edit PostDelete PostPrint Post

I have a client that wants to use a giant stain glass type window overhead. The overall diameter is 6 feet, but it is comprised of 100 or so smaller pieces in a stainless steel frame (2-8 inches) Is there a size minimum for using overhead glass that is not laminated?
Ronald L. Geren, FCSI, AIA, CCS, CCCA, SCIP
Senior Member
Username: specman

Post Number: 1211
Registered: 03-2003


Posted on Tuesday, April 29, 2014 - 12:45 pm:   Edit PostDelete PostPrint Post

There is no size, but you will have to provide screening below the skylight to protect people below from falling glass.

Can a layer of clear laminated glass be installed just below the stained glass?
Ron Geren, FCSI, AIA, CCS, CCCA, SCIP
www.specsandcodes.com
Alan Mays, AIA
Senior Member
Username: amays

Post Number: 182
Registered: 02-2003
Posted on Tuesday, April 29, 2014 - 01:02 pm:   Edit PostDelete PostPrint Post

Ron is correct. Many years ago I worked on a project in Charlotte, NC that put a stained glass ceiling in the main elevator lobby. We had to use a laminate glass to cover the stained glass. We also had to put in a catwalk system above the stained glass ceiling to allow maintenance of the lighting. If it is back lit or there is a skylight, be aware that they do need access to maintain it.
Robin E. Snyder
Senior Member
Username: robin

Post Number: 535
Registered: 08-2004
Posted on Tuesday, April 29, 2014 - 01:16 pm:   Edit PostDelete PostPrint Post

Well, this is pretty much what I thought, but told the architect I would check. The part I didn't mention is that this stained glass feature is above a hot tob, in a spa and isn't actually a skylight, but has a plenum space above with lighting. They have no idea how they will handle maintenance. I don't think they can add a layer of laminated glass.

Yes, I know they are opening a hot bed of moisture condensation issues as well.
Ronald L. Geren, FCSI, AIA, CCS, CCCA, SCIP
Senior Member
Username: specman

Post Number: 1212
Registered: 03-2003


Posted on Tuesday, April 29, 2014 - 01:23 pm:   Edit PostDelete PostPrint Post

"Yes, I know they are opening a hot bed of moisture condensation issues as well."

Probably all the more reason to add the laminated glass.
Ron Geren, FCSI, AIA, CCS, CCCA, SCIP
www.specsandcodes.com
Robin E. Snyder
Senior Member
Username: robin

Post Number: 536
Registered: 08-2004
Posted on Tuesday, April 29, 2014 - 01:24 pm:   Edit PostDelete PostPrint Post

Also, I am assuming it doesn't matter if each individual piece is laminate- there needs to be some overall "catch" mechanism whether it is a screen or a large piece of laminated glass?
Ronald L. Geren, FCSI, AIA, CCS, CCCA, SCIP
Senior Member
Username: specman

Post Number: 1213
Registered: 03-2003


Posted on Tuesday, April 29, 2014 - 01:32 pm:   Edit PostDelete PostPrint Post

Correct. In the safety glazing section of the IBC, there are exceptions for "decorative glazing"--unfortunately, there are no similar exceptions when it comes to skylights.
Ron Geren, FCSI, AIA, CCS, CCCA, SCIP
www.specsandcodes.com
Alan Mays, AIA
Senior Member
Username: amays

Post Number: 183
Registered: 02-2003
Posted on Tuesday, April 29, 2014 - 01:36 pm:   Edit PostDelete PostPrint Post

Robin, we were not allowed to do it that way. We had a full sheet of laminate glazing (many panels since this was an extremely large stained glass ceiling) that served as the catch for stained glass. Be aware that this ceiling was 28 feet above the finished floor so details were less relevant. Since you are over a hot tub, they are much closer.
Robin E. Snyder
Senior Member
Username: robin

Post Number: 537
Registered: 08-2004
Posted on Tuesday, April 29, 2014 - 01:37 pm:   Edit PostDelete PostPrint Post

Thanks everyone. I am going to have one pissed off interior designer to deal with...
Alan Mays, AIA
Senior Member
Username: amays

Post Number: 184
Registered: 02-2003
Posted on Tuesday, April 29, 2014 - 01:41 pm:   Edit PostDelete PostPrint Post

That interior designer should have done their research before thinking of it as an option or accept that there is some flexibility in the design.
Robin E. Snyder
Senior Member
Username: robin

Post Number: 538
Registered: 08-2004
Posted on Tuesday, April 29, 2014 - 01:46 pm:   Edit PostDelete PostPrint Post

Agreed, but this particular one is a little challenging to work with :-).
Ronald L. Geren, FCSI, AIA, CCS, CCCA, SCIP
Senior Member
Username: specman

Post Number: 1214
Registered: 03-2003


Posted on Tuesday, April 29, 2014 - 01:49 pm:   Edit PostDelete PostPrint Post

"I am going to have one pissed off interior designer to deal with..."

That's half the fun of being a specifier--pissing off interior designers. :-P
Ron Geren, FCSI, AIA, CCS, CCCA, SCIP
www.specsandcodes.com
George A. Everding, AIA, CSI, CCS, CCCA
Senior Member
Username: geverding

Post Number: 740
Registered: 11-2004


Posted on Tuesday, April 29, 2014 - 01:51 pm:   Edit PostDelete PostPrint Post

And...

...stainless steel might not be the best material if there is chlorine involved with the hot tub. Pool designers generally shy away from SS in chlorine rich environments.

If we couldn't break interior designers' hearts, being a specifier would be much less fun.
George A. Everding AIA CSI CCS CCCA
Allegion PLC (formerly Ingersoll Rand)
St. Louis, MO
Robin E. Snyder
Senior Member
Username: robin

Post Number: 539
Registered: 08-2004
Posted on Wednesday, April 30, 2014 - 12:57 pm:   Edit PostDelete PostPrint Post

This ceiling element is a little different from how I first understood it - it is stainless steel sheet with laser cut outs and the glass sits on top of it and the glass has bubble shapes that sit in the metal frame. I would post a picture of the sample if I could! According to the manufacturer, it is similar to a glass ceiling art feature or chandelier and therefore ok. Which makes me think...how did the Chihuly glass ceiling feature get by in the Bellagio? Under the same premise?
Lisa Goodwin Robbins, RA, CCS, LEED ap
Senior Member
Username: lgoodrob

Post Number: 243
Registered: 08-2004
Posted on Wednesday, April 30, 2014 - 03:44 pm:   Edit PostDelete PostPrint Post

Robin,

I was thinking that your designer was probably inspired by standing under the Chihuly flowers, thinking of a long hot bath and a fancy trash receptacle.
Maybe the regular rules don't apply for certain types of art installations?
-
Ellis C. Whitby, PE, CSI, AIA, LEED® AP
Senior Member
Username: ecwhitby

Post Number: 217
Registered: 03-2003
Posted on Wednesday, April 30, 2014 - 04:01 pm:   Edit PostDelete PostPrint Post

If the Owner has enough money or clout, then the “Authority having Jurisdiction” all too often finds a way to accept “non-standard” design and construction. Or there are solutions that are not apparent when standing on the floor and craning your neck looking up.
Robin E. Snyder
Senior Member
Username: robin

Post Number: 540
Registered: 08-2004
Posted on Wednesday, April 30, 2014 - 04:06 pm:   Edit PostDelete PostPrint Post

At 70 feet by 30 feet by 12 feet, "Fiori di Como" is the largest glass sculpture ever made. Walking into the lobby of the Bellagio and seeing the Chihuly sculpture suspended from the ceiling is truly an awe-inspiring experience. Because "Fiori di Como" is so large, pictures don't really prepare you for its size or impact.

Ellis: I suspect it is more of the former than the latter

"All together, there are 2,000 individual blown-glass flowers that make up the sculpture. The weight of "Fiori di Como" is also staggering. The glass flowers weigh 40,000 pounds, and the steel structure holding it all in place weighs another 10,000 pounds."
Brett Scarfino (Unregistered Guest)
Unregistered guest
Posted on Tuesday, June 24, 2014 - 05:53 pm:   Edit PostDelete PostPrint Post

316 stainless steel is the recommended alloy for marine/chlorine rich environments. General purpose 304 stainless would not be (the Arch would not look so pretty if it were coastal).

You might look at materials used to glaze the stained glass to the stainless steel frame...and make sure they are also compatible with a potential chlorine rich environment.
Robert E. Woodburn, AIA, CSI, CCS, CCCA
Senior Member
Username: bob_woodburn

Post Number: 93
Registered: 11-2010
Posted on Wednesday, July 02, 2014 - 08:18 pm:   Edit PostDelete PostPrint Post

There are stainless alloys that are more resistant to corrosion than 316--used, for example, near salt water. IIRC, in a harsh environment, even 316 can show surface rust requiring periodic cleaning, but I can't remember the designations of the more salt or chlorine-resistant alloys. I learned this from a good article on them a few years ago in the Construction Specifier.
Brett Scarfino (Unregistered Guest)
Unregistered guest
Posted on Thursday, July 10, 2014 - 03:44 pm:   Edit PostDelete PostPrint Post

I agree. 317 and "duplex" alloys, as I understand it, are very common in offshore oil platforms. Add'l Molybdenum content.

Domestic/architectural use, I've only one time seen a duplex alloy considered (exotic lobby curtain wall in Manhattan). Ultimately, I believe 316L was used since it was readily available and a familiar alloy to the local fabricator.
Robert E. Woodburn, AIA, CSI, CCS, CCCA
Senior Member
Username: bob_woodburn

Post Number: 94
Registered: 11-2010
Posted on Thursday, July 10, 2014 - 04:52 pm:   Edit PostDelete PostPrint Post

I think the best alloys mentioned in the article had an alphanumeric designation outside the 31x series, although 317 could have been one of them. "Duplex" sounds familiar, though. Very specialized, for when you really, really don't want to see any rust. And correspondingly dear...
Robert E. Woodburn, AIA, CSI, CCS, CCCA
Senior Member
Username: bob_woodburn

Post Number: 95
Registered: 11-2010
Posted on Thursday, July 10, 2014 - 05:03 pm:   Edit PostDelete PostPrint Post

"Duplex 2205 provides nearly double the corrosion resistance typical in other austenitic stainless steels" (from the Best Stainless website). That's one of the ones I remember reading about, perhaps the best one. I remember making a note to use it if I were doing a polished ss sculpture for a seaside location...

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